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By STEVE PFARRER
When Stan Sherer was growing up in the Bronx in New York City in the 1950s, an uncle paid a visit to his family one day and brought along some World War II-era darkroom equipment.Sherer didn’t know it just then, but he was about to find his life’s...
By STEVE PFARRER
Sometimes artists want to work on a big scale: to tell a particular narrative, to juxtapose images in a unique way, or to do something outside of their usual working parameters.But the challenge to that can be finding enough exhibition space to...
By STEVE PFARRER
Beyond the Monuments in Washington, D.C.Photographs by Michael Jacobson-HardyLevellers PressThe gross disparity between the grandeur of the federal buildings and monuments in Washington, D.C., and the severe poverty in other parts of the city has been...
By STEVE PFARRER
Time was when Rachel Portesi did much of her photography using Polaroid film. She loved the immediacy of the image, the way each photo was different and often didn’t quite match what her eye had seen, and what she calls “the feeling of Christmas when...
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